Meshes of the Afternoon was made in 1943 for a few hundred dollars (about $275) in the first months of Maya Deren’s marriage to already accomplished filmmaker Alexander Hammid. L'intrigue du film est circulaire et répète des images psychologiques à caractère symbolique, telles qu'une fleur sur une longue route, une clé en train de tomber, une porte déverrouillée, un couteau enfoncé dans un pain, une mystérieuse figure habillée en Faucheuse et ayant un miroir … An atmosphere of mood and imagery tailor made to affect the viewer's psyche. Deren once said that “a truly creative work of art creates a new reality”—an assertion she realizes in Meshes of the Afternoon. Maya Deren (April 29, 1917 – October 13, 1961), born Eleonora Derenkowska (Ukrainian: Елеоно́ра Деренко́вська), was a Ukrainian-born American experimental filmmaker and important promoter of the avant-garde in the 1940s and 1950s. Maya Deren Meshes of the Afternoon 1943 Not on view; A nonnarrative work, Meshes of the Afternoon is a key example of the “trance film”—a work in which a protagonist is in a dreamlike state, and where the camera conveys his or her subjective focus. Maya Deren's multi-faceted film is one that can never be fully understood. Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer, and photographer. Découvrez toutes les informations sur le court-métrage Meshes … Whether taken as feminist allegory, surrealist intervention, cinematic mindfuck, puzzle movie, or Lynchian horror story, it’s impossible to look away. Meshes of the Afternoon est un court-métrage réalisé par Maya Deren et Alexander Hammid avec Maya Deren, Alexander Hammid. Meshes of the Afternoon est un court métrage expérimental réalisé par Maya Deren et Alexander Hammid en 1943. 2 Though dream logic guides the film, its elegant structure and the everyday, familiar places in which its drama unfolds make its narrative feel plausible, even convincing. It's an experience more than a film. By literalizing the unconscious on film, Deren opened up … Maya Deren’s hugely influential 1943 short Meshes of the Afternoon played a key role in kicking off the New American Cinema Group, and has lost none of its power to entrance in the 70-plus years since. It was originally silent, but Deren added a soundtrack to it in 1959. The symbolism, representations of reality and fantasy, and the interpretations that follow all try to touch the base of this film, but try as they might, this film is just untouchable.